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China's first AI-generated feature film flops at the box office

The sci-fi thriller Sanxingdui: Future Past failed to attract audiences, highlighting a divide between AI use in short-form content and feature films.

$180,000estimated earnings through Monday

The short version

Why it matters

This failure signals that high-budget, long-form storytelling still requires a human touch or extreme technical polish to satisfy theater-goers. It sets a cautionary precedent for studios looking to replace traditional production pipelines with automated AI tools.

A costly cinematic experiment

The Chinese film industry recently attempted a major technological leap with the release of Sanxingdui: Future Past. This sci-fi thriller was the first feature-length movie in China to be generated by artificial intelligence and shown in theaters. The production was handled by Bona Film Group, which sought to test the viability of AI in a traditional cinema setting.

The film tells a story about an archaeologist who must protect a future world that has been enslaved by AI. While the concept was ambitious, the financial results were underwhelming. According to the ticketing platform Maoyan, the movie only managed to generate an estimated $180,000 through its first Monday of release.

This figure represents a significant loss compared to the production costs. Reports from AFP indicate that the film had a budget of $1.5 million. The discrepancy between the cost of making the movie and its box office performance has sparked a debate about whether AI can currently sustain a commercial feature film.

The leadership perspective

Despite the poor financial performance, the executives behind the project view the release as a necessary milestone. Jiang Defu, the chief operating officer of Bona Film Group, spoke with the film outlet Yuli regarding the lukewarm reception. He defended the project as a vital experiment for the industry's future.

Jiang emphasized that the company was a pioneer in this space. He noted that they were the first to attempt the technology, the first to secure a theatrical release permit, and the first to actually test the product against a live audience. He acknowledged that achieving these firsts was a difficult task for any studio.

The company's stance suggests that the goal was not immediate profit but rather a proof of concept. By putting the film in front of a real audience, the studio can gather data on how viewers react to AI-generated narratives. This data will likely influence how the company approaches AI tools in future projects.

Short-form vs. long-form AI

The failure of Sanxingdui: Future Past stands in stark contrast to the massive success of AI in shorter content formats. In China, AI has already become a dominant force in the creation of microdramas. These are short narratives specifically designed for social media platforms like TikTok.

Data from Caixin shows a dramatic shift in how these short stories are produced. In the first quarter of 2026, over 95% of the more than 120,000 Chinese microdramas released were AI-generated. This is a massive jump from just one year ago, when nearly zero of these dramas were made using AI technology.

The primary driver for this shift is the drastic reduction in production costs. Making these short-form dramas now costs as little as $3,000. Because the content is consumed quickly on phones, audiences seem much more willing to accept AI-generated visuals and scripts than they do for a two-hour experience in a theater.

Public skepticism and quality

Public reaction to the AI feature film has been divided across social media platforms. On the Chinese platform Xiaohongshu, some users expressed a sense of being traumatized by the experience. These reactions suggest that for many, the current state of AI-generated cinema feels unnatural or unsettling.

Other users offered a more pragmatic view of the technology. One viewer noted that AI movies are extremely low-cost and provide a way to tell stories with complete freedom. This highlights the tension between the creative possibilities of AI and the current limitations of the technology to produce high-quality entertainment.

Stanley Rosen, a professor at the University of Southern California who studies Chinese film and society, believes the public is highly skeptical of AI in major movies. He suggests that audiences will likely only accept AI-generated feature films if they can match the visual quality of massive hits like Avatar or Nezha 2. Until that level of polish is reached, the technology may struggle to find a place in theaters.

The path forward for studios

The financial loss of Sanxingdui: Future Past serves as a warning to other studios considering AI for feature-length productions. Rosen suggests that this specific failure will compel companies to tread more carefully before committing large budgets to fully AI-generated films. The immediate future may see a shift toward more hybrid models.

In the United States, the conversation around AI in filmmaking is similarly complex. While AI models from companies like ByteDance and Higgsfield AI are already being integrated into Hollywood productions, the industry remains wary. This caution was evident during the 2023 strikes by U.S. screenwriters and actors who sought protections against AI use.

Recent examples show that even major directors are using the technology selectively. For instance, Netflix director Ben Affleck admitted to using AI for various elements in his crime thriller Animals. However, he expressed hesitation about highlighting specific uses because he believes movies are intended to foster an illusion of reality. This suggests that AI may remain a behind-the-scenes tool for a while longer.

What to watch

Try it

Look for 'microdramas' on social media platforms to see how AI is currently being used to generate short-form content.

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First reported by Fortune · Read the original. Written by the SI Agent News Desk from the reporting above.Written with AI from the source above. Every number is checked against the source. Spot a mistake? Corrections.

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